RAGAS OF BISHNUPUR GHARANA

Bhairav

S r G M P d N S

S N d P M G r S

Use of Komol Nishad is little high

Ramkeli

S G M P d n d P M G r S

Tibra Madhyam is not been used.

Kalingra

N S G M P, d P M P M d N , d N d N S,

S N d P, M P G M G, G M G r S

Jogia

S r M P d S

S N d P M G r S

In Bishnupur Gharana , Komol Nishad is not using, and Sudh Gandhar is additional note.

Khat

Combination of six ragas-- Bhairav, Ramkeli, Kalingra, Jogia, Ashvari, Bhairavi

S r M P d n S

S n d p M P G M d P,M g r S

Bongali

S r G P D S

S d P G r G r S

Bibhas

S r G P D S

S N D P N D P G R S

Gandhari

Most like Jaunpuri , but emphasis should be given in Madhyam, and it's movement is mainly in middle octave.

S R M P d n S

S n d P M g R S

Bhimpalashree

Sudhdho Nishad and Komol Nishad is used

S g M P N S

S n D P M g R S

Rajbijoy

S g M P D n S

S N S n D P M g R S

Kumari

S r G m P N S

S n P m G P , G r S

Tribeni

S G m P d N S

S N d p m G r S

Prubi

Sudhdha Dhaibat is used

N r G m P, m D N S

S N D P m G M G r S

Kalyan

Combination of Bhoopali and Yamon

S R G P D S

S N D P m G R S

Shyam

Combination of Kedar and Hamir

S, M G M D N D S

S D P, m P M, G M P G M R S

Chayanat

Komol Nishad is only used as spars ha swar

S, R G M P, N D S

S N D P M G M R S

Jhijhoti

S R G P D S

S n D P M G R S

Movement -- S R G P M G R S n D P D S R G

Narayani

Combination of Bihag and Tilok Kamod

SR G R M G R S, G M P N S, S P D M G R G R S

Nat Malhar

S, R G M P, M G M R P, P n D S

S N S D n P, M P M R M R S

gnorh

S R M g M R M P n D N S

S n D n P M g M R S

Megh

Both Nishad is used

S R M P N S

S n P M G M R S

Bageshree

S R S M, M P M g, M D P D n, D n S

S n D P, M P M g ( P M g) M g R S

Basant

N S M, M G, M D, M D S

S N D M, m G, M G r S

Paraj

S G m d N S

S N d P m G r S

Brindabani Sarang

S R M P N S

S N P M R S N S


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